Knowing Operative Zone for Independant Wisdom Movement (KOZ 4 IWM)

by Jean-Baptiste Lockhart Michaut alias jbTrendy & Ex jeanTox

dimanche 17 janvier 2016

David Bowie Illuminati? Lazarus Death and Occult Symbolism

Anyone with half a brain and slight knowledge of the occult can see
Bowie was heavily influenced by occultism. But how deep into it all was
he. Take a step back and analyze different aspects of what his career
was communicating to get an accurate picture of what he was all about.

realize his death was on the 10th, the source IMDB I was going from
says the 11th, I thought it was maybe really early morning. Sorry for
the mistake.

Want More:

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David Bowie's BlackStar - Occult Symbolism and Ritual of His Death (Illu...

The Fanch : +FreeRadioRevolution Classics! Weird stuff, isn't it?
Whatever your faith is, if you have your heart at the right place, you
feel something is not right here. It's dark, creepy and can I say...
insane looking?!
Nightmarish visions which can also be found in Rihanna's crap and
A dead astronaut (but where? is this the Moon or Earth?) under a black
sun, then some kinda possession rituals, the scarecrow, etc.

And this man is supposed to have throw off this thing because he was
afraid of dying or something? Maybe he was possessed; maybe for quite a
time. Who knows? Even Anton Lavey (former master of the US Satanic
Church) said on his dying bed that he was sorry for all the evil he did
and pledged forgiveness to God (whatever that is, it's life and love I'm
talking about here). But the nice and elegant David Bowie, as a
testament, gave us one of the the eeriest and darkest and more
not-at-easing music video ever. Thank you David. Godspeed. Faster,

And for those of us who want to stay "realistic" about this occult
stuff, just take a look at what symbolism means and has meant throughout
our world's history. Drawn from behind the curtains.

It's always pretty much about powerful people (wealthy but weak in all
else) who are putting a malevolent encasing intent into a specific form
or geometric structure. It goes right to the subconscious mind of the
unwarned victim, to control or influence his or her behaviour.
Or to show to other power clans what can be found within such decorated
walls. Triangles, pyramids, circles, wings, pineapples, etc. can be
found almost everywhere in architecture, culture, constitutions,
sciences, justice, logos, ... in France, the US, the UK, Switzerland,
Germany, Italy, etc.

By essence, this use of sigil magic is opposite to the way this harmonic
universes works, opposite to our nature. Just writing. :O)

samedi 16 janvier 2016

The Secret Jewish History of David Bowie !!!

I'm an absolute Bowie Fan and found some interest in this very well written article though I doubt seriously the motivations behind it !!! I leave it 2 U 2 make up your mind. jbTrendy

The Secret Jewish History of David Bowie

David Bowie died of cancer on Sunday after a glittering five-decade career in pop music. The rocker won millions of fans across several generations by constantly reinventing himself, but who knew he had such a strong link to the Tribe?
Madonna had nothing on David Bowie when she came out as a devotee of Kabbalah in 1998. British rock star Bowie, who is much in the news right now for his terrific “comeback” album, “The Next Day” (Columbia/ISO) — his first new recording in a decade, widely and justifiably hailed as his best work since 1980’s “Scary Monsters,” — beat Madonna by 20 years or so when he sang about the sefirot, the mystical vessels of divine energy, in the title track of his 1976 album, “Station to Station.”
Really? Yes. Sure enough, Bowie sings, “Here are we, one magical movement from Kether to Malkuth” in “Station to Station,” perhaps the only usage of kabbalistic terminology in Hebrew ever by a major international pop singer. The lyrics refer to the divine emanations of the infinite: Kether, or “the crown,” said to be the divine will or pure light, and Malkhuth, or kingship, the nurturing receptacle of that light. Bowie was pictured on the back of the album, drawing a diagram of the 10 Sefirot, an activity he purportedly engaged in with some frequency while recording the album in Los Angeles — a time during which he was supposedly bombed out of his mind on cocaine.
READ: How David Bowie Made It OK To Be a Nerdy Jewish Kid
Bowie’s immersion in Kabbalah was part of an overarching spiritual quest that took him from Tibetan Buddhism (he almost joined a monastery in the late 1960s, until his teacher told him that he’d make a better musician than monk) to Christian mysticism, occult worship and a flirtation with neo-Nazi imagery that nearly derailed his career when it was discovered that he collected Nazi memorabilia and that he seemingly made a “Heil Hitler” salute upon arriving, in 1976, in an open-top Mercedes convertible, waving to a crowd gathered at London’s Victoria Station.
Today that unfortunate dalliance is blamed widely on Bowie’s drug issues; in any case, Bowie has been married for the past twenty years to Somali supermodel Iman, with whom he has a daughter. He put that unfortunate incident behind him long ago, and his previous and subsequent life and career suggest that he is anything but a Nazi sympathizer.
False information floating around the Internet claims that Bowie’s mother, the very Irish Peggy Burns, was part Jewish, undoubtedly owing to the fact that Bowie’s older half-brother, Terry Burns, was the spawn of an illegitimate relationship between his mother and Jack Isaac Rosenberg, the son of a Jewish furrier. When Peggy Burns married Bowie’s father, Haywood Stenton Jones, it was under the condition that he would raise the then-10-year-old Terry (and their son, David, who was 8 months old on their wedding day) — whose biological father had abandoned him and his mother before he was born — as his own.
As much as Bowie is a singular visionary — as a visual artist, actor, celebrity, cultural theorist and musician (not necessarily in that order) — he has fed on give-and-take with other artists. Two of his greatest early influences were Jewish rockers Bob Dylan and Lou Reed. The chameleon-like Bowie went through an early, hippie/flower-power period, playing acoustic guitar and modeling himself, in some ways, after Dylan, to whom he paid tribute in “Song for Bob Dylan” on his 1971 album, “Hunky Dory.”
Although Bowie went on to morph into a glam-rocker (after the model of his longtime friend and nemesis, Marc Bolan — ne Feld — of T. Rex), among several other guises, he never lost his Dylan connection. The new album has no fewer than three Dylan references, including a mention of “love and theft,” the title of Dylan’s 2001 album; the lyric “Van Ronk says to Bobby, she’s the next real thing,” a reference to Dylan’s mentor, the folk-blues legend Dave Van Ronk, and a song that borrows the basic chord structure of Dylan’s song “Lay Lady Lay.”
As for Reed, Bowie’s early music pays heed in large part to his work with the Velvet Underground; when Bowie first came to the United States, he sought out Reed and his mentor, Andy Warhol; he sang about the latter in the tune “Andy Warhol”; he played Warhol in the 1996 film “Basquiat,” and he produced Reed’s solo album, “Transformer.” In the late 1980s, Bowie reinvented himself as a member of the band Tin Machine, joining forces with guitarist Reeves Gabrels and the rhythm section of Tony and Hunt Sales, sons of Jewish comedian Soupy Sales. Tin Machine’s biggest hit, “Under the God,” was an anti-skinhead protest song. The group even gave its 1992 live album the self-consciously Jewish title, “Tin Machine Live: Oy Vey, Baby” — presumably a humorous if somewhat pointed nod to U2’s use of German on its 1991 album, “Achtung Baby.”
At age 66, Bowie seems creatively reinvigorated. The new album looks back with wistfulness at his “Berlin period”: He sought refuge there from Los Angeles and cocaine in the late 1970s, during which time he reached his creative peak on a trio of albums. He also tackles such topics as mortality, celebrity and, of course, outer space, a perennial concern since he first gained international recognition with “Space Oddity.”
But it’s inner space that has always primarily moved Bowie, and as much as “The Next Day” is a great listen, what we’re really looking forward to is Bowie’s day after the next.
A frequent Forward contributor, Seth Rogovoy has mined the hidden Jewish stories behind James Bond, Alfred Hitchcock and “The Hobbit” in these pages.

mercredi 13 janvier 2016

L'épopéepop !!! "FranceWay" Change !!! Le Samedi 9 1 16

Hot News !!! Ce Jourd'Hui 9.1.16 !!! Performance Vernissage.1 à partir de 18h ô 29 Chez édouard @ 29 rue Edouard Vailland Saint Ouen !!! Madame Louis Samedi Prochain ... Merci jbTrendy

Samedi 9 Janvier 2016 à partir de 18h édouard du 29 vous convie à danser et chanter sur de La French Touch - Electro Accoustique en épopéepop avec "FranceWay LiveStyle Orchestra" des Performer2Panâme : DJ UGLY NECO - jbTrendy (Chant, Piano & Guitares), Paka Music (Piano - Synthé, Percus & Voix), Nicolas Gondran (Contrebasse - Guitares & Voix) + Chanteuses & Guests. Entrée Libre - Paf ô Chapeau - MERCI !!! (photo de Lob Nico & Design de jbTrendy) et Souriez car vous serez Filmé(e)s par Paul Gilles - EXPLORTOI@YAHOO.FR

Rendez-vous chez édouard ô29 rue édouard Vaillant @ Saint Ouen

Jb Trendy à L'épopéepop !!! "FranceWay" Change !!! Le Samedi 9 1 16 @ Partir de 18h !!! Performance - Vernissage 1 - ô 29 Chez édouard@Vaillant St Ouen
9 janvier, 12:40 ·

Réflexions d'un coordinateur intersquat après s'être heurté à l'intransigeance d'un artiste individualiste :

Alors il y en a et bien plus nombreux qu'on ne croit qui le plus souvent par manque de confiance et sentiment d'insécurité s'accaparent des Lieux à leur seul profit tout en prétendant être accueillants. Ils bloquent ainsi tout esprit de collaboration constructive qui ne soit pas une appropriation du talent et de l'énergie créatrice des autres. Or, c'est d'abord passer à côté du principal. Le plus important c'est ce qui se passe dans nos Maisons d'Artistes, qu'elles soient conventionnées ou non, et ce sont bien évidemment les Gens eux-même qui en sont responsables. Et ces gens, on ne peut les posséder et tout instinct de propriété en pareil cas est non seulement illusoire mais en toute fin dérisoire. C'est l'être dans sa plénitude que l'on aspire à développer et non sa dépendance ni sa volonté de servitude, fut-elle bonne. 

Je dirai donc que ce sont nos Maisons qui nous définissent. Elles sont le reflet de nos personnalités, des aspirations profondes qui nous animent et de nos aptitudes à les faire vivre et à les réaliser. De plus, les hommes passent mais les édifices restent et généralement nous survivent. C'est bien là la preuve qu'en définitive, nous qui par définition ne sommes que de passage dans le monde physique appartenons plus au lieux que nous habitons qu'ils ne nous appartiennent.

En conséquence, ne soyons pas outrecuidants et laissons la Maison nous indiquer qu'elles activités et donc les individus qui les portent pouvant contribuer à son épanouissement. Permettons et facilitons alors l'établissement de ces personnes en son sein et jubilons du foisonnement des échanges qui s'y effectuent nous qui ne sommes que les heureux ou malheureux dépositaires d'espaces de vie selon notre comportement. 

Certains en sont totalement incapables et en ce cas devraient tant qu'ils n'ont pas acquis un minimum de savoir vivre communautaire s'abstenir de prétendre régir de quelque manière que ce soit un domaine fondé sur le sens du partage et de l'émancipation individuelle et collective. 

Bien à vous, jbTrendy2016.
Photo de Jb Trendy.
Gérard Mercier J'apparais ? Ababa ou ??
Antonio Xavier
Antonio Xavier bon texte dechire...
Jb Trendy
Franka Lo-re
Franka Lo-re Bonne année à toi aussi Jb Trendy !
Jb Trendy
Jb Trendy Vidéos des artistes et des visiteurs du "Squat Le Bloc" lors de la journée Portes Ouvertes le 16 février 2013.
L'occasion de revenir sur une journée de folie avec des artistes de folies et une ambiance de folie !!!
Allez voir ce qui s'y passe vous ne serez pas déçu : 58 rue Mouzaïa 75019 Squatinfo Paris

Squat Le Bloc : Portes Ouvertes
Vidéos des artistes et des visiteurs du "Squat Le Bloc" lors de la journée Portes Ouvertes…
Jb Trendy

Votre commentaire...

mardi 12 janvier 2016


Pierre Jovanovic en grande forme !!! Sa page facedebouc a comme par
hasard été squizée avant les élections régionales par les gros Fachos
qui usurpent le pouvoir dans notre province américaine des états-unis de
L'Europe de mes couilles ou de mon cul sur la commode, et la riposte
est sanglante !!! Un véritable bonheur à entendre. Vive la résistance
authentique et pas c'te Chianlit de Charlie à 2 Balles !!! Je t'avais
dit, je suis remonté comme un coucou Suisse où j'irai bientôt planquer
tout le pognon que je n'ai pas !!!

KOZ toujours tu m'intéresses,

jbTrendy 2016.

vendredi 8 janvier 2016

L. Ron Hubbard is INSANE! SECRET TAPES on OT III Scientology. Aliester C...

The Multy Billion BUCK$ Worth Secrets of $cientology revealed 2 US ALL by L. Ron Blubbard Founder of The Con So called Church, The Old Man Himself speaking !!! Thanks 2 Don Haze & Co from the Conspiracy Of Truth Resisting The Miscavology Rip Off Pretended Monopoly of The Standard Technology Gone Tremendously Ashtray !!! jean Baptiste Lockhart Michaut Ex Jean Tox - LRH Honorary Personal Public Relation Officer (HPPRO) and Sea Organization Ex Int Exec and Free Org Member - Mission Earth I/C New Era Int !!! ART & ARC jbTrendy - 

Profession de Foi d'un Ex-Scientologue !!!